PLAYGROUND: DEUCE proposes the exhibition space as a site of cross-disciplinary play, where artists operate between control and intuition, structure and imagination. The net becomes a metaphor for exchange: a porous threshold where meaning travels back and forth. Looking is no longer passive. Gaze, emotion, memory, and projection return the work’s gesture, creating a subtle back-and-forth between creator and viewer.
In this suspended state, no final point is scored. Instead, the exhibition lingers in reciprocity. The works do not resolve themselves fully, and the viewer is never simply outside the game. What emerges is a continuous negotiation — a deuce — where interpretation remains open, shared, and alive.