'While We Count Our Earthquakes' is the first solo exhibition in Belgium by internationally renowned Palestinian-Danish artist Larissa Sansour. From the losses of the Palestinian people to the persistent threat of environmental catastrophe, the exhibition delves into studies of grief, memory and generational trauma. Sansour’s work uses speculative narratives and science-fiction methods to peer into the future.

In 'While We Count Our Earthquakes' past, present and possible futures align. Sansour interweaves sculptural strategies with moving image, and opera with science fiction. All in an attempt to reimagine the history of her embattled homeland, a nation on the brink of annihilation.

'We dreamt of utopia and we woke up screaming. all before… all after…' Yasmina Reggad explores radio as a tool for liberation. Over the years, performance artist, author, researcher and curator Yasmina Reggad has assembled a large archive of revolutionary voices. The exhibition is conceived as a durational performative installation, transforming this archive into a living, sonic space where historical events and current political struggles intertwine.

The installation highlights the role of radio in supporting the development and dissemination of global anti-colonial, anti-imperialist and anti-capitalist ideas. Reggad gained access to archival material from Algerian Radio and Television Broadcasting (Radiodiffusion-Télévision Algérienne; RTA) from the 1960s and 1980s. She contributes to this polyglot archive by including present-day voices and bringing them together with past ones, such as the French-Martinican psychiatrist and philosopher Frantz Fanon and Palestinian resistance fighter and politician Yasser Arafat.

'all before… all after…' is the latest manifestation of Reggad’s research and consists of a radio studio, a monitoring centre and an online streaming platform. Visitors can engage by transcribing the content of audio cassettes on typewriters, thus reconstructing the scripts of lost histories, or becoming broadcasters themselves. An open mic can be used to claim space or amplify militant voices. The exhibition extends beyond its physical space, continuing online with 24-hour livestream.

By immersing audiences in the echoes of past and present militant movements, Reggad’s work emphasises the ongoing need for resistance. It invites participants to listen and engage, to rethink solidarity today and imagine other possible futures.

Kunsthal Extra City exhibits contemporary visual art in a welcoming and unique setting. Housed in a former Dominican Monastery, Kunsthal Extra City seeks to become a bastion of the visual arts with a solid reputation both in Belgium and internationally. They offer opportunities to young artists as well as a platform for established figures to experiment.